The 2014 Grammy Awards featured a black magic witchcraft ritual disguised as a Katy Perry performance. Surprised? You shouldn’t be. This has been going on for years. We’ll look at the Illuminati Agenda pushed in the 2014 Grammy Awards.
This year’s Grammy Awards apparently had something for everyone. While old-school rockers might have enjoyed seeing Paul McCartney, Ringo Starr, Willie Nelson and Metallica performing live, it is the current industry puppets who reach the youth. And it is their performances that are riddled with symbolism and messages. Unlike the older singers, the performances given by Beyoncé, Katy Perry, and even Mackelmore, were not strictly about the music. Their performances were vehicles to push the Illuminati-sponsored Agenda.
For years, I’ve been stating that music awards ceremonies are a celebration of what the Illuminati industry stands for, as their choreographed format offers the industry an opportunity to imprint the collective mind with specific messages and symbolism. After each award season, I notice a growing number of people realizing that something is “off” with the music industry and that it promotes a specific set of values and attitudes. Is the public getting wiser or is it just all becoming too obvious to ignore?
Beyoncé Representing Beta Kittens
The awards began with Beyoncé singing the words:
I’ve been drinking, I’ve been drinking
I get filthy when that liquor get into me
I’ve been thinking, I’ve been thinking
Why can’t I keep my fingers off it, baby?
From that point, we knew that these awards would probably not be child-friendly. Dressed in a leotard revealing most of her “bootyliciousness”, Beyoncé’s performance was as suggestive as the song’s lyrics. This prompted many parents to complain about why this was televised at 8pm, while children (many of whom look up to Beyoncé) are still awake. Others noted that if Miley Cyrus gave the same performance, there would probably be a violent revolution right about now.
Beyoncé’s performance was in fact an accurate representation of her recently released “visual album”, which contains a bunch of very suggestive videos. After watching that album, I can safely estimate that about 80% of the footage consists of closeups of Beyoncé touching herself in a sensual matter. In fact, in this album, Beyoncé appears to play the role of a Beta Kitten that is programmed to be “on” all the time (if you don’t know about Beta Programming, read this article). Some videos in Beyoncé’s album contain Monarch programming symbolism.